It’s clearly a more serious camera than last year’s Lumix DMC-FZ200, but compare it to a closer rival like the Sony RX10 and things get a little trickier. The Panasonic Lumix DMC-FZ1000 is part of a new breed of bridge cameras, ones that have larger sensors in order to offer better image quality, especially when shooting at higher sensitivities. Should I buy the Panasonic Lumix DMC-FZ1000? It contains reams of detail, but will eat up storage like nothing else. This is the first bridge camera we’ve seen to offer 4K video capture, giving you four times the number of pixel information as you get with normal 1080p video One of the key features of the FZ1000 has little to do with still photography, though. It earns the camera another flexibility point. Unlike most bridge cameras, the Panasonic Lumix DMC-FZ1000 lets you process RAW files directly on the camera, saving you from having to do so on your computer. It gets to the sort of level we expect from an APS-C sensor camera, and there’s a dynamic-range-boosting i.Dynamic mode should you want to push it even further. As you might imagine, extreme ISO settings will result in scrappy-looking images, but it’s good to have the feature there for emergencies.Īt normal ISO levels colour reproduction is good, white balance is natural-looking and, just like the Panasonic Lumix GH4, the Panasonic Lumix DMC-FZ1000 punches above its weight in terms of dynamic range. The FZ1000’s ISO range is 125-12800, which can be expanded down to 80 and up to 25600. This would be too much to ask of a camera with a smaller sensor.ĭeterioration of detail and luminance noise really starts to set in when you go above ISO 1600, but this gives you decent scope to deal with most situations. Lens sharpness is great and detail stays solid all the way up to ISO 1600. We’re mostly very happy with the Panasonic Lumix DMC-FZ1000’s images, and find that its 1-inch sensor provides much better image quality than a basic 1/2.3-inch bridge camera. But how are its photos? Panasonic Lumix DMC-FZ1000 – Image Quality It’s quick, you can do macro photography and you get a nice big zoom range – the Panasonic Lumix DMC-FZ1000 is quite a flexible camera. The Panasonic Lumix DMC-FZ1000 shoots in burst mode at up to 12fps, and when using macro mode you can focus as little as 3cm away from a subject. While perhaps not a revolution, it works. What it does is to analyse the out-of-focus parts of an image to hook into the vague focal point before getting an exact focus using contrast detection. The FZ1000 has a 49-point contrast detect system that uses the defocus DFD tech we also saw in the Panasonic GH4. It’s accurate too, leading to very few mis-shots. These claims always need to be viewed with a little scepticism, but we found the camera very fast to focus. One of the big claims of the Panasonic Lumix DMC-FZ1000 is that it is 275 per cent faster than last year’s FZ200 in terms of focusing speed, a camera that already has ‘Light Speed’ AF. The FZ1000 will also shoot old-fashioned 1080p video at 60fps and 720p video at up to 120fps. The camera comes in at less than half the price of Sony’s cheapest 4K-capturing camcorder, the $2,000 Handycam FDR-AX1000, which has the same size sensor. The Lumix FZ1000 looks like it will squeeze even more out of the sensor than Sony does, thanks to a 4K video mode that records 3,840 x 2,160 video at 30fps in MP4 format. That’s way bigger than the 1/2.3-inch type sensors found in most high-zoom fixed-lens cameras, and Sony’s RX cameras are widely considered the best in the compact class for image quality. The impressive hardware starts with its 1-inch-type, 20.1-megapixel sensor, which is likely the same imager found in the Sony RX100 M3. The FZ1000 takes some of the best features found in other cameras and combines them in its all-star spec list. The 16X-optical-zoom Lumix DMC-FZ1000 may look a lot like every other megazoom camera Panasonic has released in the past few years.
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